Little Madnesses: Winnicott, Transitional Phenomena and Cultural Experience (International Library of Cultural Studies)
Author | : | |
Rating | : | 4.27 (593 Votes) |
Asin | : | 1780761619 |
Format Type | : | paperback |
Number of Pages | : | 256 Pages |
Publish Date | : | 2015-08-31 |
Language | : | English |
DESCRIPTION:
Exploring cult films, computer use, installation art, trips to the cinema, museums and galleries, and the agony and ecstasy of making art, they focus on the importance of space, place, and boundaries in cultural experience; on how we can negotiate the use of media, as well as cultural identity; and consider the aesthetic and creative aspects of cultural experience.. Here, in original chapters, writers, artists, scholars develop and revitalize cultural theory by exploring the idea of transitional phenomena and its potential to extend and deepen our understanding of cultural experience in mental an
About the AuthorAnnette Kuhn is Senior Professorial Fellow in Film Studies at Queen Mary University of London, a longstanding co-editor of the journal Screen, and a Fellow of the British Academy. Her books include Family Secrets: Acts of Memory and Imagination (1995 and 2002); An Everyday Magic: Cinema and Cultural Memory (I.B.Tauris, 2002); Ratcatcher (2008); and (with Guy Westwell) The Oxford Dictionary of Film Studies (2012).
"One Star" according to Jane Brennan. stupid, don't waste your money. Dr. Laurence Raw said An Adaptive Inspiration to all of Us. It is not often that I can consider a book game-changing in terms of impact. This is certainly true of Annette Kuhn’s edited collection Little Madnesses: Winnicott, Transitional Phenomena, and Cultural Experience (I. B. Tauris, "An Adaptive Inspiration to all of Us" according to Dr. Laurence Raw. It is not often that I can consider a book game-changing in terms of impact. This is certainly true of Annette Kuhn’s edited collection Little Madnesses: Winnicott, Transitional Phenomena, and Cultural Experience (I. B. Tauris, 201An Adaptive Inspiration to all of Us Dr. Laurence Raw It is not often that I can consider a book game-changing in terms of impact. This is certainly true of Annette Kuhn’s edited collection Little Madnesses: Winnicott, Transitional Phenomena, and Cultural Experience (I. B. Tauris, 2014). Drawing on the theories of the psychoanalyst D. W. Winnicott, the contributors look at different ways in which individuals make use of the experience of watching movies, attending art galleries, or viewing installations to make sense of their lives.I have referred in previous posts to the effect that Winnicott has had on my own thinking. This collection rein. ). Drawing on the theories of the psychoanalyst D. W. Winnicott, the contributors look at different ways in which individuals make use of the experience of watching movies, attending art galleries, or viewing installations to make sense of their lives.I have referred in previous posts to the effect that Winnicott has had on my own thinking. This collection rein. 01An Adaptive Inspiration to all of Us Dr. Laurence Raw It is not often that I can consider a book game-changing in terms of impact. This is certainly true of Annette Kuhn’s edited collection Little Madnesses: Winnicott, Transitional Phenomena, and Cultural Experience (I. B. Tauris, 2014). Drawing on the theories of the psychoanalyst D. W. Winnicott, the contributors look at different ways in which individuals make use of the experience of watching movies, attending art galleries, or viewing installations to make sense of their lives.I have referred in previous posts to the effect that Winnicott has had on my own thinking. This collection rein. ). Drawing on the theories of the psychoanalyst D. W. Winnicott, the contributors look at different ways in which individuals make use of the experience of watching movies, attending art galleries, or viewing installations to make sense of their lives.I have referred in previous posts to the effect that Winnicott has had on my own thinking. This collection rein. Four Stars Helpful readings by major artists and scholars on the signfiicance of Winnicott for contemporary artistic practice.
Annette Kuhn is Senior Professorial Fellow in Film Studies at Queen Mary University of London, a longstanding co-editor of the journal Screen, and a Fellow of the British Academy. Her books include Family Secrets: Acts of Memory and Imagination (1995 and 2002); An Everyday Magic: Cinema and Cultural Memory (I.B.Tauris, 2002); Ratcatcher (2008); and (with Guy Westwell) The Oxford Dictionary of F